a5c7b9f00b The assistant of the American Ambassador in Paris James Reece is an aspirant spy working in minor jobs for the CIA. James lives with his fiancée Caroline and expects to be promoted to the special operations. When James is assigned to drive the unconventional but efficient agent Charlie Wax in Paris, James learns that a terrorist cell is preparing to attack the American delegation and he is close to the key element that will explode the group of representatives of his government.
In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.
Director Pierre Morel (Taken) teams up once more with writer Luc Besson (Taken, the Transporter series) for another action-packed flick ironically entitled "From Paris with Love".<br/><br/>Yes, the story is set in Paris, where James Reece, played by Golden Globe Best Actor winner Jonathan Rhys Meyers (Elvis), plays administrative assistant by day in the US Ambassador's office and small-time secret agent by night. Itching for some action, Reece's boss relents to his request to do more than just switch license plates and partners him up with loud and brash Charlie Wax, an American spy played by two-time Oscar Best Actor nominee John Travolta (Pulp Fiction, Saturday Night Fever), who is hell-bent on stopping a terrorist from attacking the city.<br/><br/>Rhys-Meyers and Travolta succeed in playing one of the oddest tandems to ever hit the screen. Rhys-Meyers seems to have finally landed the manly action-star role he's never played; this must have been such a big break for him; however, while I liked him in his previous movies where he plays androgynous royal types so well (The Tudors, Matchpoint), his silly mustache and constant poker face in this flick may have played up the discomfort of his transition from deskjob to field a little too well. He just wasn'tcharismatic and could not hold up to Travolta, who was a delight to see in such a refreshing, overtly bad-ass role. It could be because the dialogue wasn't written to make Reece sound witty anyway.<br/><br/>There was just something so inexplicably hesitant and clunky (poor editing, perhaps?) when there isn't any action to be had on screen, which is quite unlike Morel and Besson's successful balance of drama and action in "Taken". In any case, trivia junkies will appreciate the not-so-sly nod to McDonald's Royale with Cheese, also Travolta's character's fave in "Pulp Fiction".
Morel and Besson have carried out a nice collaboration and the result is a good action thriller where twists and swings begin soon, giving place to multiple unexpected and funny moments. Again, Travolta shows his indisputable talent, outperforming his co-star Myers - who was probably included to attract younger (female) audience; the script could have been amended for Travolta + some of his contemporaries, for example. Smutniak is sexy and good, but nothing special, just another Bond-type girl.<br/><br/>Shootings and chases are fast, excellently accomplished, and the movie is rather short than lengthy - one could have even prolong the almost final episode at the Embassy.<br/><br/>Recommended if you desire a fast action when eyes must be always focused on the screen.
John Travolta breaks the braggadocio meter in the latest tightly wound actioner from "Taken’s" Pierre Morel.

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